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He speaks of the modern (or post-modern) subject: subjectivity as “a precarious condition of interface between rationalized systems of exchange and networks of information” (p. 2). Jonathan Crary. Jonathan Crary is a Professor of Modern Art and Theory at Columbia University. He received his PhD from Columbia in 1987.

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Crary, Jonathan. “Techniques of the Observer,” October , 07/1988, Volume 45, pp. 3–35. Crary argues that since the nineteenth century, human knowledge of the visual perception and on one’s ability, as an observer, to perceive the world objectively, becomes increasingly challenged (starting with Kant). Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. Jonathan Crary.

tebe_interesno: Konstarterna, Konsthistoria, Konst designs

Burwick, Frederick. The damnation of Newton: Goethe's color theory and romantic. Crary blev en akademisk berömdhet med sin debutbok "Techniques of the observer" (1990), som nästan på egen hand fick stora delar av  Sensory evaluation techniques, Meilgaard, Morten, 2007, , Talbok of the observer on vision and modernity in the nineteenth century, Crary, Jonathan, 1992  Crary, Jonathan 1990 Techniques of the Observer: On Vision and Modernity in the Nineteenth Century.

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About Techniques of the Observer. Jonathan Crary’s Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. Jonathan Crary is Meyer Schapiro Professor of Modern Art and Theory at Columbia University.

Crary studies “historical construction of vision” – more exactly, “reconfiguration of relations between an observing subject and modes of representation” (p. 1). In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity.Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the obse Jonathan Crary`s Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity.
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This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle.

A founding editor of Zone. Books, he is the author of Suspensions of Perception (MIT Press, 1999)  “Techniques of the Observer”, Jonathan Crary (1990) https://mitpress.mit.edu/ books/techniques-observer.
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tebe_interesno: Konstarterna, Konsthistoria, Konst designs

Press 1992; mark Paterson: The Senses of. Touch, Berg 2007; Empire of the  technique and media in order to understand and influence reality. 2 Jonathan Crary, Techniques of the Observer: On Vision and Modernity.